When it comes to buying subwoofers, a lot of people have questions or make assumptions about the benefits and drawbacks of single voice coil and dual voice coil versions. Understanding the differences between them requires a slightly enhanced understanding of how an amplifier works. We cover both topics in this article.

How an Amplifier Works

An amplifier is a simple device that takes an audio signal (from your radio, for example) and increases the voltage. That’s it.

You may (logically) be asking yourself, “Why do we call it a power amplifier?” We get an increase in power because the speakers we connect to the outputs of the amplifier have a low impedance. In car audio, we typically see loads between 1 and 4 ohms. This low impedance, combined with the increased voltage of the audio signal in the amplifier, causes relatively large amounts of current to flow through the voice coil of the speaker. This current flow causes a magnetic field and, subsequently, the voice coil moves toward or away from the magnetic field created by the stationary magnet on the speaker.

(OK, maybe this didn’t stay as simple as originally planned.)

Amplifier Load Determines Amplifier Power

Let’s use an example of an amplifier that has a peak output voltage of 20 V. We don’t need to worry about the fact that this is an alternating current signal – we will examine this at a single point in time. With 20 V applied to our voice coil, let’s say we have a 4 ohm impedance on this coil. Ohm’s law states that a potential of 20 volts applied across a resistance of 4 ohms will result in 5 amp of current to flow. Using the equation P (Power) = Voltage x Current, we get 20 x 5, or 100 watts of power. If we change the impedance of the load to 2 ohms, we double the current to 10 amps, for a resulting power level of 200 watts.

If you look at the specifications for an amplifier, especially a subwoofer amplifier, you will see power ratings at different load impedances. In most cases, unless the voltage of the power supply in the amplifier is adjustable, amplifiers will make more power as the load impedance decreases.

What About These Subs?

Deciding which subwoofers to buy depends on the amp you are using and the number of subwoofers you are going to use. You want to choose a combination of subwoofers that will let you wire the voice coils together to an impedance that will allow the amp to make the power you want. Let’s look at several examples.

Example 1

We have the option of two different fictional subwoofers, each rated for 750 watts of continuous power handling. One subwoofer has a single 4 ohm voice coil. The other subwoofer has dual 4 ohm voice coils.

The dual voice coil subwoofer can have its coils wired in series to produce an 8 ohm load, or in parallel to produce a 2 ohm load. To complete this fictional example, we have an amplifier that will produce 400 watts into a 4 ohm load and 700 watts into a 2 ohm load. We have a small car and want to use a single 12 inch subwoofer in a large vented enclosure to get maximum low-frequency output. What sub should we use?

If we use the single voice coil subwoofer, the amplifier will not make full power in the 4 ohm load. We should use the dual voice coil subwoofer and wire the voice coils in parallel to present the amp with a 2 ohm load.

Example 2

In this example, we have the same electronic equipment, but the vehicle is a large SUV. There is a lot of room for subwoofers, and the owner wants to list to reggae, loudly. The owner has listened to a friend’s system and found out that a pair of subs matches his listening preferences perfectly. Which subs should we use?

If we use the dual voice coil subs, we have three options for wiring the four (two on each sub) voice coils together. We could wire all the coils in parallel. Parallel wiring will present the amp with a 1 ohm load. Most likely, the amp will go into protection because the load is too low. We could wire all the coils in series to present the amp with a 16 ohm load – but that’s not going to happen. We could wire the voice coils on each subwoofer in series, then parallel the pair of subwoofers to get a 4 ohm load. A 4 ohm load is not ideal.

If we use a pair of single voice coil subwoofers, however, and wire the subs in parallel, we get a 2 ohm load. Happy amp and happy customer!

Choosing and Wiring Subwoofers

• You can use as many subwoofers as you want on a single amplifier.
• You must use all the voice coils on each sub. If you need a 4 ohm load but have a dual 4 ohm sub, using only one coil is going to cause issues. Bad issues.
• Wire all the subwoofers you choose so the current going through each subwoofer is the same. In most cases, this means using pairs of subs. In the past, several companies offered dual 6 ohm voice coil subs that could be wired in groups of three to present amplifiers with standard load impedances of 1 or 4 ohms.

Do not wire one dual voice coil subs in series and one in parallel before connecting the subs together in parallel. You will get more current through the (parallel) low-impedance subwoofer. This imbalance will upset the performance of the enclosure and wreak havoc with the reliability and quality of your system. This is unrelated to the wiring of multiple subwoofers, but: Don’t mix and match different subwoofers. Each has its enclosure requirements and response characteristics. There is no way to guarantee that the output of two different subwoofers will sum positively at all frequencies.

So, Which Voice Coil Configuration Is Better?

The answer to the question “which is better” is neither. SVC and DVC subwoofers are simply two different options when buying. They are analogous to a tire manufacturer offering different-sized tires for different vehicles – there is an application for each.

Adding a subwoofer system should be one of the very first things you do to upgrade a factory audio system. When you are ready to make the leap into the realism, impact and dynamics that a great subwoofer can add, drop by your local car audio specialist retailer. They would be happy to work with you to design a system that meets your performance expectations.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Developing a speaker requires that the designer and engineer balance many different aspects, such as the application, cost and desired performance level of the end product. For the consumer, navigating the thousands of different speaker offerings on the market can be difficult. Two speakers can measure similarly regarding efficiency, power handling and frequency response, but still perform completely differently because of different distortion characteristics. Cone, dust cap and suspension resonance, motor non-linearity, and enclosure/application requirements play a crucial role in determining how the end-product will sound once installed in the listening environment. This article scratches the surface of looking at the benefits and drawbacks of choosing speakers by comparing coaxial and component speaker designs.

When Choosing Speakers, Define the Design

Component (or separate) speakers are a set of speakers that includes a set of dedicated midrange drivers and dedicated tweeters. Each of those four speakers requires a dedicated mounting location. By contrast, a coaxial speaker features a midrange driver with a tweeter mounted in the center of it. In most cases, the tweeter is on top of an extension post connected to the pole piece. Other coaxial designs use a bridge or mesh grille to suspend the tweeter over the midrange. These are sometimes called coaxially mounted components by marketing departments.

Benefits of Coaxial Speakers

In most cases, coaxial speakers are the less-expensive options in a product lineup. This pricing is due to the chosen target customer and not because you can’t make a high-quality coaxial speaker. Less-expensive magnets, baskets, cone materials and suspension components, and wider tolerances that allow for faster production with fewer rejected assemblies, all help reduce cost. The benefit is, if you need an inexpensive speaker, coaxials are a good solution.

Coaxial speakers can be installed faster, so they are less expensive to install. The integrated tweeter saves a lot of time during the installation process. Most coaxial speakers have integrated crossovers of some sort that don’t require special wiring or mounting. The net result is that your installer can get them up and running in your vehicle in about half the time it takes to install a component set, which means your labor charges will be reduced.

Benefits of Component Speakers

Most component speakers are made from better materials and have higher performance goals. High-end components can cost more than $5,000 for a set and often include premium passive crossover networks, elaborate installation accessories and – of course – amazing speakers. The sound that component speakers produce, when installed and tuned properly, can be amazing!

When a good set of components is tuned properly, most of the sound can appear to come from the tweeters. Having a separate tweeter allows your installer to mount it high in the vehicle – at the top of the door, on the dash or in the A-pillar. The combination of proper tuning and placement puts the music out in front of you, essentially at eye level. This higher soundstage is similar to what you would experience at a concert, listening to the band performing in front of you.

Many factors contribute to where and how your installer mounts the tweeters – your budget, your performance goals, and how much modification you want or will allow to your vehicle. All locations have their benefits and drawbacks. For example, a tweeter mounted on the dash or A-pillar is very near the windshield. The hard surface of the windshield can cause significant reflections. Alternatively, a mounting location in the upper section of the door may reduce these reflections, but may not raise the soundstage as high, or could make it appear to come from somewhere closer to you than the dash or pillar location.

A component speaker doesn’t have any of its output blocked by the tweeter, which eliminates some minor reflections . Likewise, with a coaxial speaker that uses a tweeter post, a component speaker can have a full dust cap. The dust cap moves with the cone and increases the driver cone area. Additional cone area increases the driver’s efficiency.

The Huge Role of Crossovers

Whether you choose a coaxial or component speaker set, you are going to need a crossover to handle splitting up the frequencies. In the most basic of speakers, a capacitor is used on the wire going to the tweeter to block low and midrange information. The midrange driver is allowed to roll off naturally – ideally, there are no significant high frequencies resonances that will affect the sound.

As you progress up through the quality of a speaker set, you will see steeper filter networks on tweeters. These steeper networks allow the tweeter to play to a lower frequency and then be stopped to protect it from excursion damage. At the same time, filtering the high-frequency output of the midrange is common in mid- to high-end crossover networks. Speaker manufacturers construct the most elaborate of crossover networks with premium components for both the high- and low-pass portions of the network. Adjustability is often built into the crossover for tweeter level. Small components can be overdriven and saturated, reducing their effectiveness. Large amounts of distortion can cause the tweeter cap to overload and explode.

The Option of Coincident-mounted Coaxial Speakers

The radiation pattern of a speaker is a sphere in its standard operating range. As frequency increases, this output pattern becomes more directional. When a tweeter is mounted at the base of a midrange, a phenomenon occurs called Intermodulation Distortion. As the cone of the midrange moves up and down to reproduce music, this moving surface modulates the reflections of the tweeter.

It is worth noting that the same thing happens when a single speaker cone is asked to reproduce high frequencies: The source of the high-frequency sounds moves forward and rearward as the speaker cone attempts to reproduce lower frequencies. This modulating effect is known as Doppler Distortion. These distortions, combined with the narrowing of the radiation pattern as frequency increases, are some of the many reasons why we have to use different-sized speakers to reproduce music accurately.

When shopping for a coaxial speaker, you will want to choose one that has the tweeter mounted low enough not to interfere with the installation of a grille or trim panel over top of the speaker. You should also look for a tweeter that has a small waveguide that prevents the output from bouncing off the midrange cone.

Shopping for Speakers

We could spend years discussing the different aspects of speaker design and performance. Suffice it to say that you should seek out the assistance of a seasoned and reputable professional for purchase and installation. Be sure to quantify as much of the purchase process as possible – your financial limits, cosmetic preferences regarding installation and performance goals for the system. You will want to use music you have listened to many times when auditioning speakers.

You may want to listen to both a set of more- and less-expensive speakers to help quantify the price point you have chosen. Finally, talk with the salesperson and, if possible, the installer about how and where the speakers will be installed. Be sure to ask about sound deadening, spacers, wiring and anything else that can affect the performance of the installed speaker.

Speaker shopping is a lot of fun, and getting new speakers for your car, truck, boat or motorcycle can be very exciting. Be patient – take your time and be thorough. You will enjoy your new purchase all that much more when you choose a great-sounding speaker and a skilled installer.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

The speakers in your mobile entertainment system are one of the most critical components in determining how your system sounds. If you choose poorly designed speakers that have distortion issues from poor cone, suspension or motor design, no amount of signal processing can make your system sound great. The methods used to install your speakers are as important as the design of the speakers themselves. In this article, we are going to look into some of the common mistakes that occur during speaker installation and how to maximize the performance of your speakers.

Speakers Need A Stable Foundation

If you want to listen to a record player, you want the unit to be on a solid table or stand. You’d never try to hold the turntable on your lap – the needle would jump and bound all over the place. When it comes to speakers, you want all the energy from the motor to move the speaker cone and not the basket. Why would the basket move? Newton’s Third Law of Motion states: When one body exerts a force on a second body, the second body simultaneously exerts a force equal in magnitude and opposite in direction on the first body.

When the voice coil pushes the speaker cone out, the inertia of the cone is also pushing back on the fixed magnet. If the speaker isn’t mounted securely, it will buzz, vibrate and otherwise move around. These vibrations cause all manner of distortion.

Look at a set of high-end home audio speakers. Years ago, Linn had a set of narrow floor-standing speakers that used a pair of small midrange drivers, roughly 4.5 inches in diameter. The front baffle of the speaker enclosure was 1.5-inch thick MDF. If you knocked on it with your knuckles, it sounded like concrete. And yes, those speakers sounded excellent!

Speaker Installation – Consider Mass

To combat the forces generated by the moving speaker cone, you will want to consider beefing up the mounting surface. In the case of a subwoofer enclosure, an extra-thick front panel can help. Vertical braces on either side of the speaker mounting surface help even more. The best solution is to run full-size braces from the front of the enclosure to the rear. Full depth braces lock the front and rear panels together and add dramatic strength to the speaker mounting surface. These braces also control vibrations in the rear panel to improve performance further.

For a smaller speaker such as midrange or midbass driver in a door, adding strength is a little more difficult. The most common practice is to add a layer or two of butyl damping material (sound deadening) to the metal around the speaker. You can even add a layer or two on the inside of the door skin if you are concerned about thickness. Damping materials with an aluminum layer add a little extra mass.

If your installer is constructing a set of speaker mounting adapters, then ask if they are using a material that has some mass to it. HDPE and ABS are good; acrylic is even better. A material like Corian – the DuPont countertop material – is fantastic. You can easily cut and shape Corian and glue parts together with Cyanoacrylate (Crazy Glue). You may want to use thread inserts or t-nuts with all of these materials. While it is readily available and easy to work with, don’t use wood for speaker adapters inside doors – it will get wet, swell up and deform. It can also hold water and get moldy.

Speaker Installation – Location Matters

If your audio system is going to use factory speaker locations, most of the time these are acceptable to provide an unobstructed output path to the listening area. The last thing you want to do is block the output of the speaker by putting something in front of it. Keep magazines, books, paper and other objects from piling up in front of, or on top of, your speakers.

For subwoofers, the location of the sub has a dramatic effect on how it sounds. You want the energy from the subwoofer to be able to mix with the sound from your midbass speakers as easily as possible. For this reason, hatchbacks and SUVs are great for bass. If you have a sedan, then firing the output of your subwoofer through a ski pass-through works well. You can get away with firing subs into the trunk of a sedan, but you will want to ensure that your midbass drivers can play fairly low – say 75 Hertz or so – to ensure that you don’t lose impact and dynamics.

Back-Wave Cancellation Problems

We use speaker enclosures for two primary reasons – to limit the movement of the speaker cone and to prevent the sound coming from the rear of the speaker cone from canceling out the sound coming from the front. You need to prevent the rearward sound from mixing with the front. For midrange speakers, this means building good quality mounting adapters. Your installer can also use sound-deadening materials to seal up openings in the interior skin of your door panels. You will get better speaker performance with proper back-wave management than you will just buying better speakers.

Weather Protection Ensures Longevity

When mounting speakers in a door panel, it is inevitable that the back of the speaker will get wet. The interior of doors are not completely watertight, and this poses a challenge for installers. Creating an enclosure out of a water-resistant material would be the perfect option, but there is rarely enough mounting depth and it is difficult to create an enclosure that is large enough not to affect the performance of the speaker. For many years, installers have used foam ‘hats,’ cut in half to protect the top of the speaker from direct exposure to drops from the window seal. These are a good option. A thick foam gasket mounted behind the speaker mounting surface can also help. Companies like SoundSkins and F.A.S.T. Rings have ready to apply pre-cut solutions.

There are dozens of other considerations when it comes to having your speakers installed. The most important task for you is to partner with a retailer that does high-quality work and has an excellent reputation. Choosing great speakers for your car audio system is a lot of fun. Hearing them perform up to their potential is even better.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.